···············································································································································································分割线··············································································································································································································································································
这些宝物多选用金银玉翠,珍珠和各类宝石等珍贵材料,又招募各地着名匠师精心设计和制作,竭其匠心,不惜笔墨,一器之成常常是历经岁月而成,它的技艺代表着那个时代最高水平。
在运用中,它广泛地涵盖了宫廷典章礼制,宗教祭祀,日用生活以及休闲玩赏各个领域的各种活动,无处不彰显着皇权的至高和尊贵,皇家雍容华贵和优雅具体而微地反映了当时的面貌。
清代宫廷珍宝于今日所负载之意义已经远远超越纯粹材质和工艺之价值,这些珍宝体现着中国传统文化的深厚底蕴,正是那一段历史传神写照和民族精神浓缩而成的灿烂瑰宝。
至于李潇、姜映雪为何会首先造访珍宝馆呢,由于珍宝馆在各管区中最受欢迎,若来晚了或许只会看见人头游动的场面,但好在脚步飞快地领先于众人。
珍宝馆分为四个主要区域
珠光宝气——珠宝饰品与珠宝镶嵌类器物
金昭银辉——清宫收藏金银器
球琳集萃——玉及彩石
金枝玉叶——宝石盆景
每个